Monday, July 31, 2006

Tactical Sound Garden


The Tactical Sound Garden [TSG] Toolkit is an open source software platform for cultivating public "sound gardens" within contemporary cities. It draws on the culture of urban community gardening to posit a participatory environment where new spatial practices for social interaction within technologically mediated environments can be explored and evaluated.


Everyone should read through this website, it is a really interesting project. It tackles technological mediation as well as public and private speheres of experience in urban environments. Original link from Rhizome

Saturday, July 29, 2006

Draculamatic

In Prospect Park on thursday night there was a free screening of Dracula the movie, with a live soundtrack written by Phillip Glass and performed by the Kronos Quartet (You can buy a recorded version on Amazon.com)


(Why do they not let you bring your own beer and food to a free screening in the park? I mean I know why, but that's pretty lame. So we sat just outside the fenced in area and it was okay.)



As the movie started the wind picked up a bit. Kronos began to play, and the crowd cheered as Dracula made his first appearance on screen.



Around us in the park (in the "real" world) the weather started leaning towards a thunderstorm. A few distant rumblings of thunder was enough for the more wary viewers to collect their blankets and head out. Most people stayed though, holding out for what eventually happened.


The storm drew nearer and louder, and while there was still no rain, very loud thunder and very bright lightning began to create a real drama that matched the contstructed drama of the pre-recorded film and live music soundtrack. The excitement of the crowd rose when a scene involving a ship at sea in a large thunderstorm came on, foreshadowing the fate of the participants in the crowd. A crash of lightning near the park was matched by one on screen. The increasing roar of the wind added a sensation that enveloped all in attendance who still wanted to see Dracula and the Kronos quartet, even if they got a little wet.


Well as the rain first started, it seemed as if this might happen, but eventually someone came on the microphone and declared the event cancelled because the radar showed the storm too close for comfort. At this point it was still a drizzle.


Then the skies opened like they only do after days of humidity with no relief. Everyone began to scramble and those who were inside the fence (where they couldn't bring their own beers) had to file out two small exits, while those who had planned to take a picnic were free to run out of there.


Amidst this un-mediated drama I digitally recorded onto photocells a visual representation of some of this pandamonium while I made my way back to the subway stop.



It was an exciting mixture of hollywood drama and real-life "There is a slight possibility that I may actually be struck by lightning" drama. One fleeing particpant yelled to his friends " Phillip Glass wrote in the thunder and lightning!" leaving me wondering if he hired Storm from the X-Men to play the weather that night.


Sunday, July 23, 2006

Some People Say I'm Hardcore

San Francisco's Bicycle Coalition recently held an event called Tour DeFat at speedway meadow in Golden Gate Park. Supporters of everyday use of bicycles as a main form of transportation all showed up to support each other and listen to music, eat food, drink beer (sponsored by the New Belgian Brewing Company), and look at some pretty interesting bikes...

..bizarro bikes..



a bike with a drum set attached to it..?





a bike which powered a nice cooling fan...




and of course the ever necessary...bike with wheels fully encircling it.

San Francisco has a large bicycling community which really pushes biking as a viable alternative to driving for day to day needs. They have also set up a city run "car share" program to encourage people to own only a bike, and borrow cars from this program for the times where a motor vehicle is necessary.

San Francisco's climate is probably the factor that makes this so viable. Because they don't get snow, and therefore don't salt and sand the streets, potholes are less of a problem here. And in general the weather is always perfect for riding a bike. It is warm during the day (low humidty and always a breeze) and cool at night, and the winters here are extremely mild, negating the need for fristbitten cycling commutes that make biking nearly impossible other cities on a more consistant basis.

It's good to see people taking advantage of their environemental situation to help the environment. Most roads here have bike lanes and there are days of "critical mass" bike ridings to clog the streets with bike traffic to raise awareness of biking as an alternative.

Wednesday, July 19, 2006

You took the earrings?



This is the original thirteen minute short version of Bottle Rocket by Wes Anderson and Owen Wilson. This short is the core of the full length movie, and it is interesting to see this harsher, less realized version of the full length.


..how does an asshole like Bob get such a nice kitchen?...

Tuesday, July 18, 2006

from moke with love...

I decided to post my last foray into philosophy as many of these thoughts stemmed from a discussion with Pat which took place in a small, underground gay bar in NYC called the Slide shortly after he returned from Berlin. Thought you all could provide some useful insight. Cheers.


Is it the hat and cigar or the individual?

An exercise in existentialism.

April 9, 2006


There appear to be two main ideas summarizing my thoughts over the past two months. The first idea concerns the role of content and spectacle in the actions and reactions of thoughtful minds. This idea is based upon what we can withdraw from the world, and based on what we can withdraw, what then can we add to it? The second is the idea of the individual versus society, the main question being something like: How is the individual both a product and component of society? I shall do my best to form my thoughts on both of these issues, starting with the former.

The world is full of two things: content and spectacle. Content is what fills the world. Spectacle is all which can ever be added to the world. When aimed to produce, we can do nothing more or less than expressing content in spectacle. One who experiences spectacle can have insight into the content expressed in the spectacle; can experience the content of the spectacle; or can conceptualize the spectacle and do neither. To experience pure content, we must not focus on the world. We must lose all conceptions. Only when unconceptual experience of the world is achieved will we be truly content.

Take note of this obvious duality which manifests itself even in linguistic expression. We use the word ‘content’ to express two seemingly distinct ideas. Content can be interpreted as essential meaning; or as having desires limited to what you have. Consider these synonymous: the essential meaning is to have desires limited to what you have.

In agreement with this is the fact that having desires beyond what you have is the source of all sorrow. We are never sad unless we are longing, wanting, or hoping for something. Whether it is a longing for the response from another individual, or for finding a part of yourself, your desires for things greater than what you have causes grief. We will be content when we can long for nothing we do not have. This is the essential meaning.

Even when recognized, it is an onerous task for the thoughtful mind to realize. It has been cast in the mold of a society 10,000 years in the making. Past is the most difficult enemy to content. Future is nothing more than desires created from the past. We desire only because society desires. There is no desire which is based from the individual. The true individual is content. We must strive to be individual. But if we strive to be individual, then we have had desires beyond our means, and we will never be content.

This conundrum may be the curse of the thoughtful mind. It may be a by product of the ability to conceptualize. In using concepts we lose the ability to experience without them. This is not to say we cannot have fleeting moments of unconceptual thought, because we do. When we achieve these moments, they tend to strike us furtively and leave us longing to know what we just felt. If the moment occurred during the first snow fall of the season standing on the bluffs of Montauk, we will likely to return during a similar time next year, attempting to relive the moment. This is almost certainly not met with success. It does not seem we can force unconceptual thought in this way. Though, it does appear possible to obtain this kind of thought through certain activities, including careful meditation, ‘zoning out’ on a nice day, and the use of drugs.

If unconceptualized thought were achievable on a long-term scale, it does not seem likely that we would be able to function in society. Even if we were to reject society by living alone is some forest, we would still have the conceptions which were forced upon us. We would still work to build ‘shelter’, obtain ‘water’, make ‘fire’, etc. We would desire these things. We know what they are. As hard as we try, we cannot forget these concepts or our need for them. Once an individual has been raised in society, it can no longer be free of conceptions. Conceptions are a product of society.

This may be where our essential anguish comes from. In attempting to be an individual, we must lose society. Embarking on this journey, we must lose a huge part of ourselves. We have only ever known ourselves through the conceptions of society. How can we begin to know ourselves without society? How can we even make sense of the world?

For thoughtful minds raised in a society, this is where companionship plays a central role. Because our thoughts are understood through a public language, we will never be content looking completely inward. We must look towards companionship to find ourselves. It is this point where I am most confused, and have been considering most recently. I think there is a constant struggle between companionship and identity. If you spend too much time interacting with other thoughtful minds, you will eventually lose your sense of the independent self. On the other side, if you do not spend enough time within society, you begin to lose a different—almost mysterious—part of yourself. We need other people to help us understand ourselves, because it is through other people (society) which we come to know anything. More importantly, it is societies teaching us of the past which has set the individual its present state.

From the moment we begin to learn language, we are destined to focus on the past. Our whole understanding of the world is through conceptions which come from some past set of people agreeing on how to think about something. We cannot develop our own way to think, as most other animals can. A lion cub may learn how to hunt from its elders, but it is not told how to think. It interprets the world as it chooses to. I do not think many people will object to the idea that a lion cub cannot understand that the elders were once lion cubs themselves, and they too learned to hunt from their elders.

On the other hand, we as humans have a very difficult time interpreting the world in any way other than how it was taught to us (i.e. how it was interpreted in the past). In this sense, our use of language and the formation of societies is both a blessing and a curse. In order to be blessed with all of the luxuries we enjoy everyday, we must accept the role of societies and sacrifice the ability to be content. Though, there may be so hope for content after all...

Because of the integral role society has in determining the individual, we are destined to desire something we do not have within ourselves. This is the reason friends, family, and lovers become so important in our lives. We become close with other people, in order to satiate a common desire. Some people chose objects and possessions to find companionship, others chose to leave a legacy behind, finding comfort in companionship with people across time. Still others turn to religion or a companionship with God.

There are two reasons that religion serves the thoughtful mind. The first is by providing an unconditional companion. The second is by ending the need for all worldly desires. That being said, religion will only function if one can truly be faithful. This total faith is what allows one to reject desires for that which they do not have on earth. They only desire for eternal happiness in heaven or some similar place. Because this goal is within their grasps, faithful people do not desire for something they do not have. Therefore they are content.

Even though companionship is so important, it is evident that one must retain a part of themselves which is truly individual. Our society’s obsession with secrets provides this evidence. When we have a secret, it is not only important for us to know, but it is important for other people to know we have a secret. We cannot be content simply knowing something no one else in the world knows. We must at least share the fact that we have a secret, even if we are unwilling to share the information itself. I find this observation truly insightful. It is very telling of the individual’s struggle with society, though I am not quite sure in what way precisely. I think discovering more about the nature of secrets will help reveal the roles society and the individual plays for the other. Maybe our desire to keep secrets stems from our desire to find out secrets (i.e. unlock the secrets of our universe). Then, keeping secrets would be a way to desire only what you have (i.e. to know only what you know). But there seems to be a selfish side to this idea, which I do not think is necessary…


NOTES (a.k.a. thoughts without a home):

I believe it is this reason which explains the ubiquity of religion. Religion provides the conceptual mind with a way to be content. The only requirement is faith. This is not to say that we should all pick a set of religious practices and devote our lives to them. I do not think we can manufacture faith in this manner.

Religion is useful but false. Its usefulness is evident in its ubiquity. Its falsehood is apparent in the disparity of religions around the world. No one of these religions is any more useful or true than the others.

All art is spectacle expressing content. The content is there. When we add to content, we produce spectacle. But then what of adding to spectacle? Spectacle can becomes content so long as it is experienced unconceptually.

If we could lose conceptual thought, we would not long for the companionship. Our thoughts would be pure experience. The world would not be demarcated in the ways that it is for us. We could be content.

Sunday, July 16, 2006

Better than Phones

Wunderkonferntz



Derk, Douglas and I just had a crystal clear, free three person conference call via the web app SKYPE which you can download for free from their website.

I was in my basement in Smithtown, NY



Derek was in his house in St. James, NY


And Douglas was on the balcony of his flat in Berlin, Germany.



I had heard a lot about Skype before, but this was my first time using it and it lived up to and exceeded expectations. It is interesting how the space you inhabit changes when you are also communicating with other people. It feels significantly different than a phone call and is also much better quality. All you need is headphones and a default computer microphone.

Skype also allows you to make calls from your computer to actual telephones (for free in the US, money for overseas).

Friday, July 14, 2006

Ugly Myspace Page Conteset

Ze Frank makes some vlogs (what if the word "vlog" was actually short for "vagina monologues"?). He recently had a contest to see who could make the ugliest myspace page, and today's video is all about it.



the show with zefrank



Check out his other shows and his blog too.

Here is a small photo project by Kevin Bewersdorf, involving mass design

Here is a project on my homepage that relates to myspace pages.

Once you open the doors of perception...

The Doors of Perception is book in which Aldous Huxley expertly records his experiences with mescalin. Huxley describes a loss of concept and the profoundness that comes with pure perception. He gains a greater understanding into the origins of religion and is able to recognize the relentless reality which plagues schizophrenics. Without an escape from reality, we literally lose our minds. The concepts, symbols, language, etc. we develop provide a necessary vacation from the overwhelming nature of reality.

The following quote comes from the section of the book, after the account of his experiment, where Huxley reflects on the greater implications of mind-expanding experiences.

"That humanity at large will ever be able to dispense with Artificial Paradises seems very unlikely. Most men and women lead lives at the worst so painful, at the best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principal appetites of the soul. Art and religion, carnivals and saturnalia, dancing and listening to oratory—all these have served, in H. G. Wells's phrase, as Doors in the Wall. "

It seems to me, that now more then ever the human race is finding more and more solace in 'Artificial Paradises'. I don't think this is necessarily a bad thing. Our mind developed in such a way as to protect us from the harshness of reality. It seems only natural that as the development of technology continues our evolution, we begin to supplement the distractive powers of the mind. Music, movies, video games, virtual reality, etc. are increasingly more common in technologically advanced socieities. Taken to the extreme, we will one day be able to completely artificially recreate everything the mind needs to be content, and there we be no reason to do anything unpleasurable (all actual necessities - food, water, etc. - will be taken care of automatically). It is at this point where societies will cease to care about reproduction, and the human race will cease to exist... at least physically.

Below is a scan of an article discussing the previous viewpoint in reference to why we have yet to encounter any aliens. The article was in the April-May 2006 issue of Seed magazine. Seed tackles scientific issues with a political spin. It is usually worth the read. Cheers.




Thursday, July 13, 2006

quote of the day...

"Music is essentially useless, as life is."
-George Santayana

Thoughts?

Wednesday, July 12, 2006

Ray Kurzweil bit

Thanks to Moke for the Kurzweil link and info. I've heard a lot about that book as well as his newer one The Singularity is Near. I thought this was worth posting. It's from The Age of Spiritual Machines, Chapter Nine: 2009. Bear in mind this was written in 1998. Pretty amazing.


The Arts

The high quality of computer screens, and the facilities of computer-assisted visual rendering software, have made the computer screen a medium of choice for visual art. Most visual art is the result of a collaboration between human artists and their intelligent art software. Virtual paintings -- high-resolution wall-hung displays -- have become popular. Rather than always displaying the same work of art, as with a conventional painting or poster, these virtual paintings can change the displayed work at the user's verbal command, or can cycle through collections of art. The displayed artwork can be works by human artists or original art created in real time by cybernetic art software.

Human musicians routinely jam with cybernetic musicians. The creation of music has become available to persons who are not musicians. Creating music does not necessarily require the fine motor coordination of using traditional controllers. Cybernetic music creation systems allow people who appreciate music but who are not knowledgeable about music theory and practice to create music in collaboration with their automatic composition software. Interactive brain-generated music, which creates a resonance between the user's brain waves and the music being listened to, is another popular genre.

Musicians commonly use electronic controllers that emulate the playing style of the old acoustic instruments (for example, piano, guitar, violin, drums), but there is a surge of interest in the new "air" controllers in which you create music by moving your hands, feet, mouth, and other body parts. Other music controllers involve interacting with specially designed devices.

Writers use voice-activated word processing; grammar checkers are now actually useful; and distribution of written documents from articles to books typically does not involve paper and ink. Style improvement and automatic editing software is widely used to improve the quality of writing. Language translation software is also widely used to translate written works in a variety of languages. Nonetheless, the core process of creating written language is less affected by intelligent software technologies than the visual and musical arts. However, "cybernetic" authors are emerging.

Beyond music recordings, images, and movie videos, the most popular type of digital entertainment object is virtual experience software. These interactive virtual environments allow you to go whitewater rafting on virtual rivers, to hang-glide in a virtual Grand Canyon, or to engage in intimate encounters with your favorite movie star. Users also experience fantasy environments with no counterpart in the physical world. The visual and auditory experience of virtual reality is compelling, but tactile interaction is still limited.

that's what i'm talkin' about

differential meanings collapse

Happy to be finally aboard here with all you fellow Chippies. I’d like to call your attention to a book I recently read entitled Sounding Out the City: Personal Stereos and the Management of Everyday Life by Michael Bull, reader in Media and Film Studies at the University of Sussex. I’ll be doing a few posts about this book because there’s just so much to talk about.

The book is an in-depth analysis of many aspects of “personal stereo” use in urban life. (He uses the term “personal stereo” throughout the book rather than Walkman or iPod, those being trademarked names. In fact in the preface he states “…the Sony Corporation were not willing for the author to use the term in either the title of the book or its content… Rather than displaying any antipathy towards learned books, Sony appears to be concerned that, by giving permission to use the trademark in this instance, they might thereby compromise their ability to defend that trademark against other companies’ use of it in the future.”)

The later part of the book I found to be the most interesting. It's made up of some great chapters like “Aestheticizing Everyday Life: A Critique,” “Visual Theories of City Life and Personal-Stereo Use” and “Technology and the Management of Everyday Life.” Bull discusses in these chapters how listeners construct an “aesthetic” experience by the act of using a personal-stereo in otherwise “meaningless”, “random” or “chaotic” everyday goings-ons. Here’s a good excerpt:
“Personal-stereo users are, as I have noted, skilled strategists of auditory looking. The act of 'looking' to manufactured sound is inscribed in the behaviour of any citizen who has grown up with television, film and video and this is reinforced as they move around urban spaces with its canned music filling public spaces. An integral part of these mediums is the musical soundtrack that accompanies them, supplementing the narrative and giving an emotionally heightened expression to the image.”

Bull brings up Norman Denzin, an author of a book called The Cinematic Society as well as the situationist writings of Debord in the 1960s in the discussion of aestheticizing everyday experience. Denzin writes “Reality as it was visually experienced, became a staged social production. Real, everyday experiences came to be judged against their staged, cinematic, video counterpart. The metaphor of the dramaturgical society, or ‘life as theater’ ceased to be just a metaphor. It became an interactional reality.”

And Debord, “In societies where modern conditions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation.” “…the spectacle is the dominant mode through which people relate to one another. It is only through the spectacle that people acquire a [falsified] knowledge of certain aspects of social life…”

I’ll post more on this later, but this book really opened my eyes to an area I hadn’t quite thought about before. Media and technology have quite significantly affected our perception and the way we relate to the world and each other. This book was written in 2000 and raises even more questions now, with media saturation and self-reference becoming more and more part of life. And of course the internet!?!?

Put Youself Into Perspective

The link comes from an email Drew sent me a few months ago. The book carries with it a recommendation from a certain Mr. Don Olsen. You can read a few chapters online, which is my current objective.

As far as I understand, Kurzweil discusses the future of the 'human race' when we become one with machines and our consciousness becomes all that really exists.

If nothing else, check out the Timeline where Kurzweil predicts what the future will bring.

Enjoy.

Tuesday, July 11, 2006

What's so funny about peace, love and magic mushrooms?


From the WALL STREET JOURNAL'S Free Features Section comes a report on a study of the psychadelic effects of "magic" mushrooms by Ron Winslow; it yields interestingly positive results for the drug:

"A third of the participants said the experience with psilocybin was the single most significant experience of their lives, and an additional 38% rated it among their top five such experiences -- akin to, say, the birth of a first child or the death of a parent....Two months after the sessions, 79% of the participants indicated in questionnaires that their sense of well-being and satisfaction increased after the psilocybin episodes"

They also have a timeline in the article that makes you wonder where this sort of research has been for the past... forty years?

"It's remarkable that we have a class of compounds that has sat in the deep freeze for 40 years," Dr. Griffiths said. "It seemed to me scientifically it was high time to look again" at psychedelic agents."


thanks to Boing Boing for the link

Zefrank has reported on this issue as well....in video

Monday, July 10, 2006

i <3 dilbert

from today's Newsday...

Music from a Computational Universe

WolframTones is an experiment in computational composition.

Check it out.

http://tones.wolfram.com

The following is an excerpt from the webpage.

"When prominent scientist Stephen Wolfram published A New Kind of Science in 2002, it was immediately hailed a major intellectual landmark. Today the paradigm shift that Wolfram's work initiated is starting revolutions in a remarkable range of areas of science, technology--and the arts. WolframTones is an experiment in applying Wolfram's discoveries to the creation of music.

At the core of A New Kind of Science is the idea of exploring a new abstract universe: a "computational universe" of simple programs. In A New Kind of Science, Wolfram shows how remarkably simple programs in his "computational universe" capture the essence of the complexity--and beauty--of many systems in nature.

WolframTones works by taking simple programs from Wolfram's computational universe, and using music theory and Mathematica algorithms to render them as music. Each program in effect defines a virtual world, with its own special story--and WolframTones captures it as a musical composition.

It's all original music--fresh from "mining" Wolfram's computational universe. Sometimes it's reminiscent of familiar musical styles; sometimes it's like nothing ever heard before. But from just the tiniest corner of the computational universe WolframTones can make everyone on Earth their own unique cellphone ringtone. It's a taste of what it's like to explore the computational universe--and a hint what's to come..."